A torrential Martin Scorsese settles reckoning with the original sin of the United States of America in ‘Killer of the Flower Moon’. Culture

It was the most anticipated film, the one that brings together, the legends of film in front and behind the camera, and a three-and-a-half-hour story about a historic event that points directly to the original sin of the United States of America. assassins of the flower moon is an intense exercise in historical memory in which its director, Martin Scorsese, sweeps everything thrillerHe westernTragic comedy and even romantic drama to settle scores with the country’s greed set on carnage…

It was the most anticipated film, the one that brings together, the legends of film in front and behind the camera, and a three-and-a-half-hour story about a historic event that points directly to the original sin of the United States of America. assassins of the flower moon is an intense exercise in historical memory in which its director, Martin Scorsese, sweeps everything thrillerHe westernTragic comedies and even romantic dramas set out to settle accounts with the greed of a country founded on the Indian genocide.

assassins of the flower moon research paper based the moon killer(Penguin Random House), from Journalist the new Yorker David Grann. For five years, Gran investigates a crime story that blends the best of crime fiction with a fatality that has ruthlessly plagued Native Americans: the disappearance of the Osage Nation. In 1870 they were displaced from their land in a corner of the Oklahoma Great Plains (the infamous Trail of Tears), a land that in the 1920s spewed black gold that changed everything again.

It was at the beginning of that decade that the Osage Reservation became the richest land in the world. In his historical fresco, Scorsese recounts another story that took place a few kilometers away and in parallel. Similarly, members of the Osage Nation, also in the city of Tulsa, Oklahoma, gave rise to the so-called Black Wall Street, who, like the Osage, lived in mansions, had white servants, cars, and jewelry. That African-American prosperity was wiped out with the Tulsa race massacre, organized by city officials, which razed all the wealth of wealthy black Wall Street residents to ashes. Today, in Tulsa, there’s a thrilling museum that pays tribute to that massacre, and now a groundbreaking film will travel around the world to tell what happened in 1921 to other victims of a region that struggled to overcome a slave past. Tried more. Compared to the Indian destruction.

At 80, Scorsese launches an overarching film with which he returns to the festival he won in 1976 Taxi driver and to which he has not returned for nearly four decades, when his madcap comedy Oh what a Night! He took along the best direction. Outside of the competition, the veteran filmmaker has offered up a feast of cinema and sensibility in a blockbuster whose greatness is in the service of a criminal history being investigated by the then newly created FBI, who has teamed up with a team of undercover police officers to uncover the mystery. What followed was an investigation into the poisonings, murders and deaths leading to the disappearance of the Osage, which revealed one of the most sinister conspiracies in American history.

Scorsese’s favorite actor Robert De Niro starred as William King Hale, the mobster mastermind who carried out the murders and poisonings of Native Americans who had become rich from the oil. But the backbone of the film are Leonardo DiCaprio, as a sneaky nephew of William King Hale, and the stunning Lily Gladstone, as Osage Indian Mollie Burkhart, a woman who lost her entire family to murder or poisoning in order to He could keep his oil. and his fate.

She is the great heroine of this film and Gladstone, who was already shining in his own light in the wonderful certain womenKelly Reichardt, with extreme sensitivity, beauty and elegance creates a character that Scorsese cherishes till the very end as all the greatness and pain of the Indian people is hidden in his great vision.

The relationship between her and DiCaprio is great metaphor for a movie that doesn’t breathe and isn’t afraid of excess. Nor humor or caricature. In their seventh collaboration, DiCaprio and Scorsese employ a complex character, a poor man whom the actor knows how to navigate between the human and the grotesque. DiCaprio and Gladstone, that always with a moving dignity, are the center of some of the best scenes in this film, tirelessly navigating their tender and toxic love.

assassins of the flower moon It is not just a great film, it is a film that knows how to be great, that shows its full power as a period classic. hugeby George Stevens, but aimed at a country in complete self-examination, built on the shoulders of wimps in the service of money and sadistic murderers who believed they owned the earth and all its fruits.